12/6/2023 0 Comments Original baskerville typefaceThese include Mrs Eaves XL (2009), a tighter derivative with a higher x-height intended for body text, and Mr Eaves and Mr Eaves XL, a sans-serif design similar to Johnston and Gill Sans. Several derivatives of Mrs Eaves have been released. This was the first typeface family to have a Petite Caps font and it became a feature in the OpenType specifications. Licko also designed a set of Petite Caps for Mrs Eaves, which were lower in height than regular Small Caps to accommodate the small x-height. It makes the reader slow down a bit and contemplate the message. Due to its relatively wide proportions, as compared with the original Baskerville, it’s useful for giving presence to small amounts of text such as poetry, or for elegant headlines and for use in print ads. It’s familiar enough to be friendly, yet different enough to be interesting. I think Mrs Eaves was a mix of just enough tradition with an updated twist. 11, Spring 2002), Licko explained why she thought Mrs Eaves was a successful typeface: Issue 38, The Authentic Issue, saw the first extensive use of Mrs Eaves in Emigre Magazine. To compensate for this and create a brighter-looking page, Licko lowered the x-height, reducing the amount of space taken up by ink on the page. The overall stroke weight of Mrs Eaves is considerably heavier than most other revivals, countering the often anemic reproduction of smaller point sizes in other digital revivals of Baskerville, and restoring some of the feeling of letterpress printing's unpredictability. In creating it, she was influenced by how it would be printed by contrast to printing in Baskerville's time: considering the flatness of offset lithography in comparison to letterpress printing, and the resolution of set devices and on-screen display. Licko's design is unorthodox and not a pure revival. The uppercase C has serifs at top and bottom there is no serif at the apex of the central junction in uppercase W and the uppercase G has a sharp spur suggesting a vestigial serif. Both the roman and italic uppercase Q have a flowing swashlike tail. Identifying characters, similar to Baskerville's types, are the lowercase g with its open lower counter and swashlike ear. Like Baskerville, Mrs Eaves has a near vertical stress, departing from the old-style model. Stylistically, Mrs Eaves is a revival of the Baskerville typefaces cut for Baskerville by John Handy. Selection of the name Mrs Eaves honors one of the forgotten women in the history of typography. She married Baskerville within a month of her estranged husband's death. As Baskerville was setting up his printing and type business, he hired Sarah Eaves as his live-in housekeeper eventually, her husband Richard abandoned her and their five children, and Mrs Eaves became Baskerville's mistress and eventual helpmate with typesetting and printing. Like his typefaces, John Baskerville was, himself, a controversial character. Mrs Eaves is named after Sarah Eaves, the woman who became John Baskerville's wife. Mrs Eaves was released by Emigre, a type foundry run by Licko and husband Rudy VanderLans, and has been joined by an 'XL' version for body text, as well as Mr Eaves, a sans-serif companion. Mrs Eaves adapts Baskerville for use in display contexts, such as headings and book blurbs, through the use of a low x-height and a range of unusual combined characters or ligatures. It is a variant of Baskerville, which was designed in Birmingham, England, in the 1750s. Mrs Eaves is a transitional serif typeface designed by Zuzana Licko in 1996.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |